parallels between Mulholland Drive and Kafka's The Castle, both of which pit their protagonists at the mercy of unseen forcesĪdditional key themes are also discussed, such as the interpenetration of ethics, classical tragedy, and the contrasting philosophical arguments of Plato and Nietzsche on tragic drama.whether Mulholland Drive is best understood epistemologically via reason and language, or whether, as Lynch himself argues, by one's 'inner feelings' and emotions.the central, dual roles played by fantasy and reality throughout the film.the identity of the self and its persistence through time.Beginning with an introduction by the editor, the volume explores the following topics:
MULHOLLAND DRIVE FULL
Mulholland Drive in the Routledge Philosophers on Film series is the first full philosophical appraisal of Lynch's film. It occupies a central and controversial position in the work of its director, David Lynch, who won the best director award at the 2001 Cannes Film Festival for the movie.
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MULHOLLAND DRIVE PDF
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